Forma Natura / jewellery

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Forma Natura naturally evolves from the Error collection.

If the form of an object appears “beautiful,” it is due to the logic of its construction. It is beautiful because it is precisely right. Not beautiful as a sculpture, but beautiful because it is only like itself.

The resulting forms are intuitive, emotional, and refined. The creative process is grounded in presence and direct contact. Each piece emerges through an open dialogue with the material. Spontaneity, openness to chance and experimentation become modes of perception that demand full attention—especially in moments when the material seems to “act on its own”.

Objects from this series oscillate between sculpture and jewellery. They exist on a bodily scale, yet the body is not the subject—it is a point of reference. The moment an object enters into contact with the body, its nature shifts: it becomes a magical artefact, engaging in a quiet, intimate relationship with its wearer.

A principle of balance recurs throughout the work. Material simultaneously expands and contracts, unfolds and withdraws, echoing natural rhythms of growth and compression. Forma Natura is metaphor—naming the space between the industrial and the living, between construction and natural impulse, between what is made and what comes into being on its own. In this space, the jewel serves as a bridge: a wearable testament to the dialogue between the organic world and the human form, grounding the vastness of nature in the intimacy of a personal ornament.

Year: 2024/2025
Material: Ag 925/1000
Still life photos by Edita Liessner
Object photos by Adéla Zlámalová

ZUZANA KALIPS

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